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stockpiled, handfed and childish architectures

by *a basement in bloom

/
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1.
in counting my costumes I'm getting sure that I will turn the books in their shelf round for their meaning to spin then setting a fire to your lone crispy room is a flickering statement of a head now in bloom and all your destruction has now a little less cause in rehearsing last year's applause asking for something uneasy and gross clapping for nothing but pause and it's you back at this table but hear veneer alone I tremble but bet on this cable to electrify my choice
2.
scanning your night for neon fingerposts bunkered safely down all will unharmed oh breathing in for half a biography this bloated chest is barely proud in stumbling upon your well kept inner archives it's bare material you find stockpiled, handfed and childish architectures sprawling slowly out your mouth feeding my back I blast remarkably sign trouble's logic hard on skinny grounds my disbelief it had a magic season I hear myself argue like a dog
3.
Red Light 06:24
silence displayed and still a humming attack a calmed down front has a war in the back pristine clear cut hills as my current address and there is plenty of land for my personal mess my expectations held high and my thoughts in row I changed their pitch and reverb to this tight settled show oh how the crucial events shape the actual map I connect the timeline's peaks to a delicate tent and I just couldn't resist to take some words from your lips to pour salt down your sense of a future enhanced what have you seen in me til now what will you see in me from now on having this future here grown to it's actual size we have the price cut in half and our membership sliced each half still alive and working as such but weighing the remarkable whole is for one half a bit much ok, label your pairs but be aware of the due and for what might be at stake with a numerical view
4.
so who then will be my friend, say: “hush now!” and dry my eyes? and who then will lose his head and search the world for a bed? and who will not turn her back on me? and who will now let me be? so who then will be a friend to lend me a song and a hand? and who then will lose some heart to make for these words a better start?
5.
Maximilian 04:36
the sun is out, the heart elated now we know: We have a say! the doubts have all evaporated – now we’re sure, this is our way, our way! with every head expectorating It’s the first thing that we know the bed and floor deteriorating now it’s clear, we’ll have a go we’re good to go good to go we’re heading toward futures turn our backs on this we’re leaving these rooms that we will never miss for far too long we’ve been complying with these festered norms and rules your gestures have gone stale and all your stories are for fools we’re no fools

about

the debut-EP of *a basement in bloom contains "music that has a spacious ambience, and delicate tenderness which lets you drift off into another place."
(cit. substance is meaningless)

credits

released August 3, 2014

produced by Peter Paul Aufreiter
mastered by Samuel Irl

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*a basement in bloom Vienna, Austria

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